Wednesday, December 17, 2025

Aluminum & The Human Condition (or, A Clean, Well-Lighted Curb)


The skate park was empty, desolate, and lifeless. It mirrored the overcast, gray autumn sky. The days were growing shorter, and darker. I rolled lethargically among barren ramps, ledges, and concrete embankments. When you skate alone during the day, the energy is always hollow and weak. At night things are different. It was imperative to leave the park by 2:30pm. That is when the school day ends. Not long after scooters-kids would swarm like buzzing hornets. I soon fled to my car, but just sat in it, starring out at the desolate park. I thought about how sluggish I felt while skating. It demands more effort, at 51-years-old, than it did when I was younger. Long ago everything was easier and effortless. Not easier in terms of technique, but in terms of actual required effort. As I looked out, a cold gust blew-scraped some dry, dead-brown leaves across park’s pavement. The wind was changing. Winter would soon arrive. I started the car, and drove away towards the falling Sun.    

There is a curb at the local grocery store. The best section of it is situated by a giant yellow “NO” painted on the ground. NO PARKING FIRE LANE. I call it the “NO CURB.”  I often skate it very late at night, when things are different. The strip mall is closed, the streetlights hum, and only shadows remain of what dwelled there during the day. Deep into the night, the area is clean, and well-lighted. I have never seen the NO CURB in natural light. As I was now driving home, for an unknown reason, I decided to go skate the NO CURB. It would be the very first time I had ever seen it in the day. Next to a TJ Maxx, there was a similar curb I skated as kid, after school hours ended. We always had to dodge cars in the parking lot—part of the chaos of real street skating, evading adults in automobiles, not children on scooters. That curb had no illumination at night. 

I drove over to the strip mall, where the curb was, and parked the car. Before skating, I needed more sustenance. A snack, and something to drink. Arising from the car, I noticed how stiff I felt. My body reminding me of its age. As I limped into the grocery store, the Sun began to break through thinning clouds. I passed the NO CURB, and sized it up as I went by. In daylight it looked starkly different. Almost ugly. I could see cracks, and erosion, that remained hidden at night. The curb was not as freshly painted, and new, as the cover of darkness had led me to believe. It was older, and weathered with time. Marred with black tire scuffs I had previously thought were night-shadows. In the sun, naked and exposed, its age showed. Natural light transformed the entire area. A night it was clean, and peaceful. In the day’s brightness, it was dark, dirty, and old. I could see all the marks I had left on the yellow enamel paint. I could see aluminum residue from my trucks on its edges. These curbs were new-born when I first found them. No one else had grinded here. All of those skate-scars and blemishes were mine, and mine alone. Walking into the store, I smiled. I had a secret relationship with this area, forged in the wee hours of the night, with blood, sweat, frustration, and joy. A crisp autumn day, a scarred-up curb, bustling shoppers, and a hidden secret of the universe that only I knew.    

 



I walked through the store’s produce section, picked-up an apple, and then passed the deli counter. Beyond the fresh vegetables and bakery, was a door-less cooler with an assortment of beverages. I grabbed a drink, and headed to the checkout lanes. As I walked the florescent aisles, at the far end of the frozen food section, was an older woman. She opened a cooler door to get something from inside. Suddenly, someone stood next to her. He came out of nowhere. The person appeared to be a skateboarder. I was startled. He looked like a young kid, only one who was cloaked in adult clothes—clothes that were almost exactly like mine. Aside from the age difference, we resembled each other. After the initial shock of his inexplicable appearance wore off, a sense of solidarity came over me. A feeling that always comes when seeing a fellow skater in daily life. The older woman then closed the door, and put some frozen vegetables into her shopping carriage, and began to walk away. As quickly as he appeared, the young skater vanished. I was dumb-founded, and then shivered with cold realization. All I had seen was a distorted reflection of myself in the cooler’s glass door. I slowly walked to the exact location where the old woman had stood. I hesitated, and then cautiously peered into the closed door, as if expecting to again see the ghost. The door was now clouded over with condensation. He was gone. Only memory remained. 

I paid the dues for my items, and went outside. As if emerging from a dark cave, my eyes dilated with transitory confusion. The Sun was bright compared to the artificial glow in the store. The outside world stood in momentary silhouette. A few yards from the curb I was about to skate, in the shade, was a bench. I dropped down onto it, and took a bite of the apple. My eyes adjusted as the van pulled up. Everything changed. 

It wasn’t a van, actually, but more of a bus. Large. White. Several windows. It parked right in front of the NO CURB, blocking both the curb, and the emerging rays of sunlight. A man got out. He went around to the passenger side, and opened a strange door near the rear of the van. He then began operating the van’s internal elevator. This wasn’t a normal bus, or van. It was a transport vehicle for mostly disabled elderly people. A local retirement home was taking a “field trip” to the grocery store. With the elevator, the man helped several elderly travelers disembark directly onto the NO CURB. Some with motorized scooters. Some with canes, and crutches. Some were able enough to walk, and push a shopping carriage, on their own. Some had to wait their turn to exit the bus, as the man could only help one person off at a time. I could see frustration in the waiting faces. But something else was there, too. Shame, in their lack of independence? Dignity, in their long survival?  Both, perhaps. I could only be sure of the nothingness. Riveted, I watched as everything unraveled in front of the NO CURB. 



Brighter than a thousand suns. I was suddenly blinded. I had fled children on scooters. Then, feeling slow, tired, and old myself, I went to skate a curb. A curb that, tangentially, reminded me of my youth. Yet, slow, tired, old people, that could hardly stand on their own, some on scooters, prevented me from skating that curb. I had stopped eating by now. Irony is a choking hazard.

I thought of my own aging father, now confined to a wheelchair, and his struggles with daily life. Struggles that included trips to the grocery store. I thought of how effort-less skating was as a kid. I thought of the stiff, sore, and sluggish version of my present-day self. I thought of how lucky I am—despite my “old” age, I am still physically able to skateboard. I thought of the fact that I could still walk, and get around on my own. Without a cane, a walker, a scooter, or a transport van. 

The NO CURB was long. It stretched forward of the bus. The end was not far off. In the other direction, the curb snaked to the far side of the plaza, and all the way back to another TJ Maxx outlet. It was all right there. The NO CURB. The metaphor. The irony. The foreshadowing. The reality-check. The summary of life. It was the NO CURB. The horizon of Time and Being unveils itself in many forms. Today it was at my feet, in the form of a small concrete ledge, about five inches high, encased in yellow enamel paint, and next to giant words that read “NO PARKING.” Its edges were marred with residue—residue of both aluminum, and the human condition. 

I could now feel the tears coming. Not that I was sad, or full of sorrow, or anything like that. I was simply struck by how profound simple context can be. How staggering life is. How fleeting our time. How past, present, and future can all collapse into one moment and place. How time does not pass, but we do. A profound gratitude had overtaken me. 

There was a time that I would have resented these senior citizens, their bus, and the entire situation. All of it was preventing me from skating a curb. On this crisp autumn day, I walked away from a session that never happened, without remorse. Seeing the curb in daylight revealed so much more than just its own existence. I would return. Much later. Deep into the night, when only fragments of the day’s shadows remained, and the area was again empty, desolate, and lifeless.  

I looked to the sky. The sun, now bright, was upon my face.




Monday, April 28, 2025

My Deck Collection (Batch 05)

The last batch / post of my deck collection. The Apocalypse Now deck has two wild stories associated with it, which is why I saved it for last.

 

Jeff Grosso / Crucified (on right)

I’ll start with the one on the right. Somewhere, somehow, I connected with Christian Cooper on the internet. Christian has been a long-time artist for Stereo, DLX, and Anti-Hero. He was also a life-long friend of Jeff Grosso, and did most of Jeff’s Anti-Hero graphics, including both of these decks. There is so much subtle detail in this deck’s graphic, with tons of social, historical, and political refences. The rug from The Shinning. Miller from Repo Man. Reagan. Etc. The graphics on this one were just really insane, so I got one.

 

 

Jeff Grosso / Apocalypse Cow (on left)

 

I saved the best for last. There are two really wild stories about this deck. First, how I helped contribute to the graphics. Second, a quasi-ghost story.

 

Christian would occasionally text me mark-ups of deck graphics he was working on. He sent me prototype imagine of this deck. Originally it said “anti-hero” across the center. I suggested “Apocalypse Cow.” And guess what made it to final product? I was shocked when I saw it. I obviously had to get my hands on one. Getting to contribute to the graphics of one of your favorite skaters, in a parody of a favorite movie? Priceless.

 

I had this board hanging on my wall for a long time. I’ll spare the long details, but I'll say this much. It fell off my wall one day. It’s the only thing, or deck, that’s ever fallen off my walls. The day it fell off my wall? March 31, 2020—which is the day he died.

My Deck Collection (Batch 4)

 This is the forth post / photo batch of my deck collection. 

 

 

Gonz and Hensley (reissues): I never had either of these decks when I was younger. If fact, I was off-put by both of these when they were current. However, with age I have gained deeper and deeper appreciation 1980s Gonz and Matt Hensley. I got both of these to occasionally ride, and as sort of a “lost tribute” to two skaters who “went over my head” during their time. 

 

 

 

Any Means Necessary (Alien Workshop): This came out right out after the Wall St meltdown in 2008. It was the first deck I ever bought, just for the graphics with the intention of hanging on the wall, during its contemporary time. The artwork, and message, speak for itself. 

 

 

 


Max Hesh / REAL shop deck: REAL made these special “shop decks” for a number of skate shops. Max Hesh was one of my favorite shops, ever. It was also local to me, and I was one of their shop team riders (in my mid-40s, even!). The shop lost their lease, and went out business in 2017. I have great memories of the shop, and met many great friends there. Indeed, home is where the heart is. 


 

 

 


Black Knight (original): This is from the mid to late 1960s. It was one of the first mass-produced skateboards ever made. Some claim it was also the first board with “real” graphics on it. This was also the first board Neil Blender had. I need to do more research on the history of these boards. I got this recently as a tribute / memento to early days of skateboarding, and also as a nod to my Polarizer.  

EDIT: Tommy Guerrero recently hit me up on IG, and informed me that this was also his first skateboard. I had no idea it was Blender's (or TG's) when I decided this was the "really old school" board I wanted to add to my collection. Now, it seems rather fitting that somehow managed to pic the first board two of my favorite skaters had.          

My Deck Collection (Batch 3)

This is the third post / photo batch of my deck collection. 

 

 


 

Danny Way (H-Street reissue): This was his first pro model. I was never a fan of these graphics (esp. compared to what was going on with Santa Cruz, etc.), but well, it was D. Way so I had to get it (at the time, and later as a reissue).

 

Danny Way (Blind re-issue): Danny had two decks on Blind. This was the second one. I loved Blind, and it was really cool when he ended up riding for them. I actually bought this one to ride (as these decks are in constant production, unlike many other reissues I have), but more on that later.

 

 


  
Dogma III (Brand-X reissue): These graphics are also quintessential “1980s” and Brand-X. I had one of these as a kid, and thought it was magical. Always loved the graphics, and was shocked/amazed/ecstatic when Brand-X reissued it. It’s just a fantastic piece of 1980s artwork.  

 

 

 

 

Corey O’Brien (Santa Cruz reissue): I never had one of these as a kid. I always though the graphics were pretty cool, but over time (and thanks to Neil Blender) this deck has become more and more of iconic 1980s skateboard. When Santa Cruz put out these colors, I got one, more as a cool piece of 1980s art to hang on the wall, than because of any personal attachment to it. “It’s 2025, boys. It’s time to reissue the skeletons.”

 

Danny Way (Blind original): This was another of my original decks that I kept. The main reason I kept this? It was the first board I dropped in on a vert ramp with (at Z.T. Maximus  skatepark in Cambridge, MA).


 

  

My Deck Collection (Batch 2)

 

This is the second post / photo batch of my deck collection. 



 

 

Top row, left to right


Lance Mountain (reissue): This is the only Lance deck I’ve ever owned. He was always a favorite skater, but I never had one of his decks. I always liked these graphics, and the “future primitive” concept and graphics (and video, too) has taken on deeper meaning to me as I grow older. It does not come across to well in this photo, but the red with purple accents on this are just beautiful.

 

Danny Way (Plan B reissue): Danny Way is a very complicated phenomenon in my skate history, as I wrote about here. It is impossible to think about my teenage years, and skateboarding during that time, without thinking about D. Way. It’s sort of like the Gator thing. Somehow you have to separate the fond memories you might have had as a kid, before tragedy struck, and the aftermath that follows. I will wrestle with that the rest of my life. In late 2024 D. Way came out as a Trump supporter. So, also total garbage person in current time, too. I debated throwing out my D. Way decks when I found out about the Trump thing, but decided against it, and am I glad I did. I later realized that these decks represent and are part of my history, not his sad story. So, I need to take them in regards to my reality, not his. Anyway, this Plan B reissue was one of his first Plan B decks, and certainly had significance to me.          

 


 

Bottom row, left to right

 

Natas Bulldog (original): This is another one from my youth that I kept.

 

Natas Panther (original): This was one of my early decks as a kid, and my first Natas.  

My Deck Collectoin (Batch 1)

Well, I’m out on injury again. Pulled a muscle in back about 10 days ago. It’s slowly getting better. In the meantime I’d thought I make a post about my deck collection. I am not a collector in the real sense of the word, but I do have a small* collection of (mostly) wall hangers. I’ve never had them all pictured (or explained) in one place before, and a blog post(s) seem like the best medium for that. So, here we go with my collection. I’ll post the pics in a few batches / posts. Here is the first (of five) posts. 

 
*My collection is tiny compared to some, huge compared to others.  

 

Let’s start with this wall.

 


 

 

Top row, left to right:

 

Natas Bulldog (reissue): This is an unofficial “cease and desist” reissue. Santa Cruz / SMA has never reissued the Bulldog graphic. Not sure why (assume it’s because they can’t get rights to the artwork). The Bulldog was one of my favorite decks/graphics as a kid. I had several of them. Natas was one of my favorite skaters in my early years.


Natas Bulldog (original): This was my deck as a kid. Glad I saved it, one of the few I did.


Tom Knox (reissue): I had a few of these when I was younger. I always loved these graphics. For anyone that doesn’t know, Santa Cruz ripped-off artwork from Virgil Finlay for many of its graphics. This was one of them.

 

 

Bottom row, left to right:


Brand-X Weirdo (reissue): Brand-X was this mythical company in the 1980s. The Weirdo graphics were quintessential “1980s” and quintessential Brand-X. I always loved these graphics as a kid, and always wanted one of these, but never had one. When Brand-X came back from the dead a few years ago, and reissued this, I jumped.


Sims Lester (reissue): The first “real” skateboard I ever saw in person was a Lester (with 169 Indys and City Street wheels). It forever changed my life, and here I am writing about it some 40 years later. Needless to say it made a deep impression. I honestly can’t remember if I ever had one of these as kid. Sims reissued these about 10 years ago, and I got one. Tom Sims later died, and the company with him. Brand-X has reissued these (same artist, no surprise there), but this one is a Sims reissue, which will never happen again. I still think this one of the best skate graphics, ever.


Tommy G. (reissue): Another iconic board from my youth. I had one of these in black, but always wanted the infamous light blue one. When Powell reissued it in this color about 10 years ago, I did not hesitate.  

Wednesday, February 19, 2025

What's My Best Trick?

Today the 50mph winds finally died down. Temps were in the mid to upper 20s. The sun was out. This meant it felt surprisingly warm. I skated the (shoveled out) ramp for about two hours. It was the longest session I've had on this ramp (or any "bigger" ramp...4' or taller) in quite sometime. About 90 min, I started to notice my lower back and left knee were getting sore...from all the run-outs when bailing tricks (can't knee slide out of everything).  I wanted to keep skating, but I've been down this rode before, and it leads to pulled muscles, injury, etc. Better to end it before things get worse (and assure that I'll be able to skate tomorrow).  As I was packing up all my stuff, I had a little epiphany. My best trick of the day? Knowing when to stop.

 

Somewhere in the middle of 360 boardslide.

 

Aluminum & The Human Condition (or, A Clean, Well-Lighted Curb)

The skate park was empty, desolate, and lifeless. It mirrored the overcast, gray autumn sky. The days were growing shorter, and darker. I ro...